The new everyman is Matt Damon

Whenever someone’s mentioned a film role is an ‘everyman’ it’s usually referred to Tom Hanks. But I think the new owner of that title is the superlative Matt Damon.

Saving Private Ryan_Matt Damon as RyanI first saw Matt Damon in the Oscar-winning drama Good Will Hunting. I think he came into a lot of people’s consciousness with that movie, co-writing and starring in it with best friend Ben Affleck. But I have to say that although his was the showier title part of the blue collar maths genius, I recall being more impressed at the time by Affleck’s brilliantly understated portrayal of die-hard friend Chuckie instead. There was something very dazzling but rather distancing in Damon’s performance and even though you rooted for his Will Hunting to succeed, I couldn’t quite warm to him as a performer somehow and so regardless of the film’s success, I wasn’t a fan of his work – that came later.

Damon followed that movie by starring with Tom Hanks (in one of his finest everyman portrayals) as the titular soldier in the peerless Saving Private Ryan and with his recent Oscar triumph for the Good Will Hunting screenplay and his and Affleck’s story of two Boston boys being the toast of Hollywood, Damon was the perfect choice to play the almost iconic young man who Hanks and his team must find and rescue. Given the subsequent Academy glory that Damon enjoyed, Steven Spielberg’s clever piece of casting was indeed prophetic.

I then caught some of his performances after Ryan in films such as Rounders (holding his own against card sharp John Malkovich and Rizzo-like best friend Edward Norton was no mean feat), The Talented Mr Ripley (opposite Jude Law’s captivating rich boy) and Ocean’s Eleven (where I did think he was just totally winning as thief Linus Caldwell). Perhaps the tide was turning, because around this time I saw him in the supporting role of Ilario, part of Meg Ryan’s crew in the Iraq drama Courage Under Fire and as impressionable lawyer Rudy Baylor (alongside a tremendous Danny DeVito) in the Francis Ford Coppola version of John Grisham’s The Rainmaker – both made before Good Will Hunting – and his performances really made an impression on me. Here you had portrayals of specificity, power and above all, nuanced subtlety.

The Bourne Identity_Matt Damon as Jason BourneAnd then there was a certain Jason Bourne. That’s the role that really changed things for me, where I sat up and thought, this guy is terrific, he’s an extremely talented actor. Doug Liman’s often underrated version of The Bourne Identity (in light of its two admittedly bravura successors by Paul Greengrass) and the first in what proved an incredibly successful series following Robert Ludlum’s famous assassin, contained a masterstroke in casting Damon.

Here was a role combining his oft-used persona of intelligence with his hitherto not really explored physical side and the result was absolute dynamite. His Jason Bourne, struggling with amnesia to make sense of who he is and then not really liking what he finds, was a thrilling, supremely entertaining journey and Damon’s performance – strong but vulnerable, smart, yet still with the capacity to learn (particularly when with the luminous Franka Potente) – was a key part of its enormous success.

After that, whatever he did that I managed to see, I thought was brilliant – as Bourne again in the remaining two movies of the trilogy, The Bourne Supremacy and The Bourne Ultimatum; as Wilhelm Grimm, opposite Heath Ledger, in Terry Gilliam’s original take on fairy tales The Brothers Grimm; as Bryan Woodman in Stephen Gaghan’s multi-layered oil drama Syriana; as Colin Sullivan, the Boston criminal turned cop in Martin Scorsese’s overly violent but also gripping crime saga The Departed; as Edward Wilson in CIA beginnings tale The Good Shepherd, opposite Robert De Niro and Angelina Jolie; as pudgy Mark Whitacre in Steven Soderbergh’s wacky whistleblower black comedy The Informant!; as Francois Pienaar in Clint Eastwood’s terrific recreation of the landmark South African rugby world cup Invictus; as Miller in the sharp WMD thriller Green Zone that reunited him with Greengrass; as Mitch Emhoff, heading up the cracking ensemble in the disturbing morality tale courtesy of Soderbergh again, Contagion; as Benjamin Mee, the gorgeously cuddly dad in Cameron Crowe’s We Bought a Zoo and currently, as Max the tortured, tragic, good-hearted thief in Neill Blomkamp’s knockout sci-fi thriller Elysium.

There are the performances I’ve missed of course and need to catch –  as George Lonegan in Clint Eastwood’s psychic drama Hereafter, that got a pretty bad critical reception on its release but with a cast that includes Bryce Dallas Howard and Cecile De France, deserves to be seen; as does the up-and-coming politician David Norris in the futuristic and visually bold love story The Adjustment Bureau with Emily Blunt, where he worked with the screenwriter of The Bourne Ultimatum George Nolfi on his first film as director; playing the title character and teaming up with Ocean’s co star Casey Affleck in Gus Van Sant’s buddy flick Gerry and most notably, as conflicted salesman Steve Butler in the recent fracking tale Promised Land and as Scott Thorson, the lover of Michael Douglas’ Liberace in the amazing (Soderbergh again) Behind the Candelabra.

True Grit_Matt Damon as LeBoeufBut then for the ones I’ve yet to see, there’s the career-best performance that I have – as LeBoeuf, the initially egocentric but eventually honourable Texas Ranger in the Coen brothers awesome retelling of True Grit. With Jeff Bridges masterful incarnation of Rooster Cogburn on one side and Hailee Steinfeld’s mesmeric debut as Mattie Ross on the other, you needed an actor of complexity and presence to make the film really fly and you got it with Damon’s pitch-perfect performance. When he and Mattie part, it’s one of the high points of the movie and is guaranteed to cut you to the quick.

It perhaps also distills for me that Damon’s now hit a really purple patch as an actor, where the success of the Bourne movies have given him freedom to explore roles that challenge him and allow him to explore an extremely varied range of characters – ones that include the ‘everyman’ tag, where a character can live or die and burn themselves into your consciousness because you identify with them, they are just like you.

He’s yet to win an Oscar for his acting – he should have won one for his performance in True Grit in my opinion – but maybe it’ll be on the cards when he and Ben Affleck reunite for what’s bound to be a juicy and spot-on biopic of Boston gangster Whitey Bulger. There are also upcoming roles in the stunning ensembles of the George Clooney directed World War Two art story The Monuments Men (with Clooney, Cate Blanchett, Jean Dujardin and Bill Murray) and Christopher Nolan’s science fiction movie Interstellar (alongside Anne Hathaway, Jessica Chastain and Matthew McConaughey).

So I certainly think there are more ‘everyman’ roles on the horizon we have to look forward to from Mr Matt Damon.

0 replies

Leave a Reply

Want to join the discussion?
Feel free to contribute!

Leave a Reply

Your email address will not be published. Required fields are marked *